I’m very proud to announce the release of Iyeoka’s album “Say Yes”. This is an album that Iyeoka, David, myself and our team have been working on relentlessly for the past 18 months. It’s been quite a journey and we’re looking forward to what’s next! Take a little time and sample some of our music at www.iyeoka.com. “Say Yes” is available for purchase at the website and on iTunes. We appreciate your support!
I’m pleased to announce the release of Poem Flow, an app I worked on in the Fall for TextTelevision. Poem Flow is an iPhone poetry e-reader, but it’s no ordinary reader. Lines of poetry are rendered as animations of movement and transitions.
The image to the left really doesn’t really capture the dynamic experience or reading the flow. At first I was a little skeptical of the concept, but I soon found myself more immersed in what I was reading, and thus had a more meaningful experience.
I was responsible for architecting the flow rendering engine. The dancing words and lines of each poem are meticulously choreographed beforehand with scripts, which in turn are translated into motion. I expect this platform to continue to evolve, and as you know with my work with Iyeoka, poetry has a special place in my heart.
Music Hack Day has been a recent phenomenon where music software developers and enthusiasts from all around the world converge to exchange ideas and compete against each other in “hacking” together a software project in 24 hours. In 2009, these conferences have been in London, Berlin, Amsterdam and just recently in Boston. The event was hosted by Microsoft’s New England Research and Development Center, and organized by the tireless Jon Pierce, Paul Lamere and Dave Haynes.
Company participants at the conference read like a who’s who in the music software industry, a lot of whom are based out of Boston. This includes the likes of Harmonix, Noteflight, Tapulous, Sonos, Echo Nest, Last.fm, SoundCloud, NPR, TourFilter, Conduit Labs and Berklee Music Online. There were a couple dozen brief 25 minute API and platform workshops that participants could choose to attend.
Two companies that have been generating a lot of buzz at the conference were Echo Nest and Noteflight. Echo Nest has developed a platform that can analyze audio of a song and generate multitudes of music characteristics relating to rhythm, pitch and timbre. This has led to an emerging field of music informatics with broad applications ranging from determining statistical music analysis on what makes Coldplay popular to doing remixes of cross genre music that happen to have particular features that are similar. Noteflight does online music notation that is community oriented. Founded by my former Allurent colleague and Flex mentor Joe Berkovitz, Noteflight is paving the way with how users can contribute and share music scores online. It comes as no surprise to me that Noteflight is lauded for it’s incredibly intuitive user interface.
SoundCloud, the social networking music service that I use to showcase my music presented their API for account access and audio streaming, which of course got me very interested. They are based out of Berlin, and were just as excited as me about the prospects of me doing an iPhone app that showcases their audio API. So just like that, on 2pm last Saturday, I decided to take this on as my project. I would have to submit my project by the 3:45pm deadline the following day.
Things got off to a pretty rough start. A faulty sync cable ended up crashing my phone, rendering it inoperable. Fortunately, one of the SoundCloud developers loaned me his iPhone, while another developer tried to restore my iPhone. As I was studying their API, it was really convenient to consult them directly! I coded straight for the next 24 hours, except to sleep briefly from 11pm to 2:30am! Time was so tight that I was coding on the subway on my way home.
The app I developed, the Phanai SoundCloud iPhone app, showcases some of the music I’ve produced over the years, which can be viewed at SoundCloud here. In order to develop the iPhone version of this, I needed to use SoundCloud’s API to log into my account, iterate through all my tracks and get information such as the artist name, song name and album artwork. I also leveraged the iPhone’s touch screen to allow the user to scrub (seek) to any position of the song by swiping along an audio waveform that represents the recorded track. See above for actual screenshot of the app.
I’m happy to report that I won the iPhone category of the competition, as well as considered a finalist in the overall “Winning Hacks”. I walked away with a new iTouch, provided by Tapulous and a free online course at Berklee Music. Special thanks to Hannes, Johannes and Dave from SoundCloud and to the organizers of this event.
There’s no doubt that radio apps such as Pandora and LastFM are hot, but radio station aggregate apps have their place too, especially when you want to to tune into specific programming in particular parts of the world. I’m happy to announce my partnership Global International Radio Technologies, where I’m doing iPhone development for a streaming radio application called Grab Radio.
The first edition of this app will focus on radio station programming in Ireland that supports digital streaming. It will include features such as “Grabbing” where you could purchase a song you’re listening to on Grab Radio. You could also “Tag” or bookmark a song for purchase at a later point.
I’m particularly excited about working on a MapKit implementation where you could select radio stations that appear on a map, in this case that of Ireland. Eventually future editions could focus on other countries or geographical regions around the world.
Grab Radio can be downloaded here.
Sound: With a sweet soul vibe reminiscent of Sade and a fresh mix of LIVE and electronic instrumentation from production duo David Franz and Francis Phan, the new sound of spoken-word soulstress, Iyeoka (pronounced “EE-yo-kah”) is emerging as a perfect balance of thought provoking lyrics, captivating vocals and gratifying music production.
The name of the new EP “This Time Around” is far from just a slogan or a silent vow. This Time Around is an anthem addressing the hopes and dreams of each of us, from the individual to the Nation, and the innate power we all have within us to change everything. As we navigate through one of the most transitional periods of our generation, Iyeoka’s music speaks of the journey that catapults us through the challenges and triumphs, chronicling the trajectory of our lives as an extraordinary people and the changes we’d like to make This Time Around.
Leon H. Sullivan Foundation hosting Star Studded 6th Biennial Awards dinner at Kennedy Center in DC
By Phanai Media Group Dated: Aug 27, 2009
Boston Poet Iyeoka Ivie Okoawo to Pay Tribute to Mia Farrow during 2009 Leon H. Sullivan Summit Awards at John F. Kennedy Center for the Performing Arts: Quincy Jones, Henry Louis Gates and Tyler Perry Also to be Honored.
The Leon H. Sullivan Foundation will host their Sixth Awards Ceremony at the John F. Kennedy Center for the Performing Art in Washington DC on August 27, 2009. The honorees will be celebrated for their advocacy, humanitarian efforts and contributions to helping the poor and disadvantaged worldwide. The 2009 Honorees are Founder, Wheels to Africa, Winston Duncan; actress/activist, Mia Farrow, scholar and educator, Dr. Henry Louis Gates; composer/musician Herbie Hancock; mobile communications entrepreneur Dr. Mohamed Ibrahim; Grammy-award winning conductor, producer/arranger, Quincy Jones; and actor/producer/playwright, Tyler Perry.
The program will also include a special performance poetry and song tribute presented by Nigerian poet and vocalist Iyeoka Ivie Okoawo to Mia Farrow who has stood at the forefront of advocacy for the underprivileged in Africa for years working tirelessly to raise awareness and funds for children in those afflicted areas.
“The poem I will present testifies to the journey of awareness and action that occurs when leaders in our worldwide community armed with resources, heart and a voice choose to allow themselves to be inspired enough to speak out about conflicted and developing regions in Africa,” offers Iyeoka. “All of these honorees have that in common and I am honored to celebrate them at the Award Ceremony.”
Like Ms. Farrow, Iyeoka uses her position in the spotlight to work for positive social change. As official spokesperson for the Amenawon foundation, a non profit focusing on projects in smaller villages that often fly under the radar of international resource pools, Iyeoka uses her inspiring poetic abilities to raise awareness of global public health issues and speaks out on how these challenges resonate in the lives of rural villagers in Nigeria.
The honorees will be celebrated Thursday, August 27, 2009 at the John F. Kennedy Center for the Performing Arts (reception 6:30 p.m.; program 8:00 p.m.). Among many event highlights; Ambassador Andrew Young (the Chairman of the Leon H. Sullivan Foundation) will pay a tribute to His Excellency Mwai Kibaki, President of The Republic of Kenya.
“We will always portray the best of Africa and bring the majesty of the continent to her lost sons and daughters,” said Hope Masters, President and CEO of the Sullivan Foundation. “We are bringing the finest elements of Africa for everyone to enjoy; we are going to honor amazing people who contribute to making the world better.”
The evening also serves as a platform to showcase the Ninth Leon H. Sullivan Summit (The Summit) which will be held in Nairobi, Kenya July 19-23, 2010. Held every two years in Africa, the Summit is designed to enable African countries and other friends of Africa an opportunity to focus on economic empowerment, self-help, social responsibility and human rights.
The Leon H. Sullivan Foundation is a 501c3 designed to carry on the spirit and legacy of Reverend Leon H. Sullivan, the great African-American international humanitarian who dedicated his life advocating for the poor and disadvantaged in Africa and worldwide.
### Phanai Media Group is a Boston based interactive agency, independent record label and front office for the works of founder and CEO Francis Phan.http://www.phanai.com/
It feels like it’s been a long time coming but I’m happy to report that the Andrew Swaine iPhone app is now live on iTunes here! As you may recall, this app was originally slated to be released in May, but a longer than expected approval time (over 3 weeks) and a pending OS3 release made me decide to pull it. I’ve made the OS updates and the approval time was a touch over a couple weeks this time around. The Andrew Swaine app is actually the first of a series of photography apps I’m working on now.
The time has come as developers from all corners of the globe are beginning to converge in San Francisco in advance of the Apple World Wide Developer Conference for 2009 from June 8-12. For one week, the Moscone Center will be the mecca of all things Apple as it relates to developing software on Apple platforms, which of course includes iPhone Cocoa Touch Development.
I’ve had the benefit of being here for almost a week already, hanging with friends and family in the Bay Area, and following through on a few connections here. There’s been a lot of hype leading up to the conference and I’m doing my darndest to not get too caught up with things, but already I’m reading tweets of attendees planning on getting in line at 4am for the 10am keynote, and Steve Jobs isn’t even going to be attendance! Is it me or is this nuts? Or am I running the risk of not being able to get into the standing room only hall if I don’t come early enough?
There’s plenty of technical issues I hope to get answers for in the next week as well as hopefully get insights on more abstract ones. If you’re so inclined, you can catch me on twitter through out the week, as I’m sure there will be no shortage of play by play updates from WWDC land.
I first met Young Twinn four years ago for some mix work I did for him and his management company Undertaker Entertainment. This kid is a real talent and has definite cross over appeal. He’s based in Houston and he’s definitely worth checking out. When Undertaker was looking to do an iPhone app, I of course seized on the opportunity. I had other music market apps in the works and I’ve had a good on going relationship with the company. Plus what made the project desirable was that Young Twinn’s management has done a great job with his marketing and branding, so there was plenty of content for me to pull from.
Some of the cool features in this app that don’t seem to be present in other music marketing apps are support for RSS feeds for YouTube and Twitter. The great thing about this is that I didn’t have to do any server side development. Soon, I hope to have Picasa and FlickR support as well. The only reason this app is not released yet is that I have to make sure it’s iPhone OS 3.0 beta compatible, which is now a requirement for submission to the iTunes store. The video above are screenshots of the app. I couldn’t do motion capture of the iPhone sumulator because the simulator doesn’t support audio playback and YouTube embeds in WebKit.
For years I have known fashion photographer Andrew Swaine. He had done photo shoots for recording artists I’ve worked with, namely Iyeoka Okoawo and Omega Red. When I was trying to determine a “first” iPhone application to submit to the Apple iTunes store, I wanted to rapidly develop an application that would allow me to explore the inner workings of the iPhone SDK. As I’m focused on creating marketing type iPhone apps, it seemed logical to go with Andy as he had high quality content on hand.
Although this application appears to be relatively simple, there are a lot of implementation details that were definitely non-trivial. As an iPhone developer, you have to be mindful of limited system resources on the device. As Andy had over a 150 photos to display, I had to create a memory buffering scheme to load photos, otherwise the app’s memory could be maxed out and then the application could crash, which of course is something that should be avoided.
As a C++ developer, learning Objective C was a relatively straight forward although admittedly there were some new ways of doing things I needed to get used too. It turns out that a lot the great hurdles new iPhone developers have to deal with relate to the iPhone App Store itself. There’s an obtuse sequence of steps required to provision and securely digitally sign your application in which if you mess up any part of the process, you’re up the proverbial creek! It’s amazing the number times I’ve come across the word “voo-doo” to describe this process when I was researching this on the web.
Also frustrating is the approval process for application submission to iTunes in which there are no formal guideline requirements. Unfortunately as of this post, the application above is not available on iTunes yet and I submitted the app 12 days ago! The only feedback I’ve gotten back thus far was that things were “requiring unexpected additional time for review”. Fingers crossed that it will be approved the first time through, because I would hate the prospect of having to go through another round of this. In the mean time, I do have the video reel above. It’s a screen motion capture of the application running though an iPhone simulator provided by the iPhone SDK. I promise, there were no pixels photoshopped in this process!
This video reel demonstrates Adobe Flex application projects I was invovled with when I was at Allurent. This reel features applications for Borders Books and Alltel Wireless. What you see here is a result of hard work by teams of people that include product/project managers, graphic designers, software developers and QA engineers.
Borders Books wanted a home page application that would feature timely merchandised product items such as books and DVDs arranged in categories. So exactly what was I responsible for? For Borders, I was the principal graphic user interface developer. Anything that you can see and interact with is a result of programmatic action, in this case developing in ActionScript3 within the Adobe Flex framework.
The application development begins it’s life as a visual design mocked up by a graphic designer. She also described the “vibe” of how the application should behave from the drag motion inertia of the books to the transition effects when various visual elements appear or disappear. These behaviors need to be programmed. Then there’s the motion implementation of shelves and the items within them. For this I must acknowledge the guidance of my Flex mentor Joe Berkovitz!
The Alltel Phone Selector is similar to Borders in which merchandised products are featured, but in the form of a motion carousel in which motion of the items appear to be traveling in a circular path. For this project, I was part of a larger team of developers that handled user interface development. I did have a specific role as the “skinner” where I was responsible for ensuring that the application was “pixel perfect” to the graphic designer’s specifications.