Iyeoka – Say Yes
Iyeoka – Simply Falling
Iyeoka – Testify feat. B.Cap
The Yellow Brick Road Song feat. B.Cap
Iyeoka – TEDxWomen
Iyeoka – TEDxAlcatraz
Iyeoka – TEDxMidAtlantic 2010
Iyeoka – Blink of An Eye – Uneon Media Mix
The Yellow Brick Road Song, the first song on Iyeoka’s SAY YES album, is the official theme song for the USA network show Fairly Legal. You’ll hear it in the first episode (airing Thursday Jan 20, 2011) during the credits at the end, and then as the intro theme song for future episodes regularly airing at 10pm Thursdays on USA.
The show cleverly taps into some themes from the Wizard of Oz, both in the episodes and in the star of the show Sarah Shahi‘s real life. These themes are perfectly complemented by the lyrics in The Yellow Brick Road Song. The song was one of the first co-written with David Franz at Underground Sun studio and has also been featured in an episode of HBO’s How To Make It In America show.
Everyone in Iyeoka’s TriBe is extremely excited, including the Amenawon Foundation, Underground Sun, Phanai Media, and Mesia Consulting Group, along with the growing number of fans who recognize the positive energy behind the music. Its so amazing that USA network and all those associated with the show are supporting this energy too. Please support the show and tell your friends to download The Yellow Brick Road Song here for free!
I’m very proud to announce the release of Iyeoka’s album “Say Yes”. This is an album that Iyeoka, David, myself and our team have been working on relentlessly for the past 18 months. It’s been quite a journey and we’re looking forward to what’s next! Take a little time and sample some of our music at www.iyeoka.com. “Say Yes” is available for purchase at the website and on iTunes. We appreciate your support!
Congratulations to Iyeoka, who has been named a 2010 TEDGlobal Fellow, a truly remarkable and prestigious honor! She will be participating in TEDGlobal 2010 in Oxford England from July 12-16, 2010. Below is the press release for the event:
NEW YORK, May 25 /PRNewswire/ — Organizers of the TED Conference announced today the 23 Fellows who will participate in TEDGlobal 2010, TED’s annual conference in Oxford, UK, July 12 – 16, 2010. The 2010 TEDGlobal Fellows join the TED community as the most recent additions to the TED Fellows program.
The 2010 TEDGlobal Fellows reflect both geographic and discipline diversity. From Venezuela to Ghana to Brazil to Costa Ricato Sri Lanka to Yemen, these pioneers are breaking new ground in technology, engineering, programming, biology, genetics, environmental science and invention. Fellows also are innovating in filmmaking, photojournalism, architecture, music, poetry, entrepreneurship and activism, among other disciplines.
“We are excited to host our second class of TEDGlobal Fellows in Oxford. They represent a spectacular concentration of cross-disciplinary talent and share a common goal of improving the state of humanity. We look forward to their active participation in the TEDGlobal community and the amazing collaborations that inevitably result from the Fellows’ time together,” said Tom Rielly, TED Fellows director.
In addition to participating as full members of the 2010 TEDGlobal conference audience, each TED Fellow will participate in a two-day pre-conference, where they will receive world-class communication training, deliver a short TEDTalk, and collaborate with their peers, among other benefits. The Fellows will also participate in the TED community throughout the next year, by telling their ongoing stories on the TED Fellows blog, contributing to TEDx events, being featured in the online Fellows directory and participating in a private social network.
The TED Fellows program seeks individuals of age 21-50 (though anyone over age 18 is eligible) who demonstrate remarkable achievement in their field of endeavor. The program focuses on candidates from five regions: Asia/Pacific, Africa, the Caribbean,Latin America and the Middle East. The TEDGlobal Fellows program is made possible by the visionary support of the Bezos family, the Harnisch Foundation, the Case Foundation, private donors, IBM, Johnny Walker and Nokia.
I’m pleased to announce the release of Poem Flow, an app I worked on in the Fall for TextTelevision. Poem Flow is an iPhone poetry e-reader, but it’s no ordinary reader. Lines of poetry are rendered as animations of movement and transitions.
The image to the left really doesn’t really capture the dynamic experience or reading the flow. At first I was a little skeptical of the concept, but I soon found myself more immersed in what I was reading, and thus had a more meaningful experience.
I was responsible for architecting the flow rendering engine. The dancing words and lines of each poem are meticulously choreographed beforehand with scripts, which in turn are translated into motion. I expect this platform to continue to evolve, and as you know with my work with Iyeoka, poetry has a special place in my heart.
Music Hack Day has been a recent phenomenon where music software developers and enthusiasts from all around the world converge to exchange ideas and compete against each other in “hacking” together a software project in 24 hours. In 2009, these conferences have been in London, Berlin, Amsterdam and just recently in Boston. The event was hosted by Microsoft’s New England Research and Development Center, and organized by the tireless Jon Pierce, Paul Lamere and Dave Haynes.
Company participants at the conference read like a who’s who in the music software industry, a lot of whom are based out of Boston. This includes the likes of Harmonix, Noteflight, Tapulous, Sonos, Echo Nest, Last.fm, SoundCloud, NPR, TourFilter, Conduit Labs and Berklee Music Online. There were a couple dozen brief 25 minute API and platform workshops that participants could choose to attend.
Two companies that have been generating a lot of buzz at the conference were Echo Nest and Noteflight. Echo Nest has developed a platform that can analyze audio of a song and generate multitudes of music characteristics relating to rhythm, pitch and timbre. This has led to an emerging field of music informatics with broad applications ranging from determining statistical music analysis on what makes Coldplay popular to doing remixes of cross genre music that happen to have particular features that are similar. Noteflight does online music notation that is community oriented. Founded by my former Allurent colleague and Flex mentor Joe Berkovitz, Noteflight is paving the way with how users can contribute and share music scores online. It comes as no surprise to me that Noteflight is lauded for it’s incredibly intuitive user interface.
SoundCloud, the social networking music service that I use to showcase my music presented their API for account access and audio streaming, which of course got me very interested. They are based out of Berlin, and were just as excited as me about the prospects of me doing an iPhone app that showcases their audio API. So just like that, on 2pm last Saturday, I decided to take this on as my project. I would have to submit my project by the 3:45pm deadline the following day.
Things got off to a pretty rough start. A faulty sync cable ended up crashing my phone, rendering it inoperable. Fortunately, one of the SoundCloud developers loaned me his iPhone, while another developer tried to restore my iPhone. As I was studying their API, it was really convenient to consult them directly! I coded straight for the next 24 hours, except to sleep briefly from 11pm to 2:30am! Time was so tight that I was coding on the subway on my way home.
The app I developed, the Phanai SoundCloud iPhone app, showcases some of the music I’ve produced over the years, which can be viewed at SoundCloud here. In order to develop the iPhone version of this, I needed to use SoundCloud’s API to log into my account, iterate through all my tracks and get information such as the artist name, song name and album artwork. I also leveraged the iPhone’s touch screen to allow the user to scrub (seek) to any position of the song by swiping along an audio waveform that represents the recorded track. See above for actual screenshot of the app.
I’m happy to report that I won the iPhone category of the competition, as well as considered a finalist in the overall “Winning Hacks”. I walked away with a new iTouch, provided by Tapulous and a free online course at Berklee Music. Special thanks to Hannes, Johannes and Dave from SoundCloud and to the organizers of this event.
There’s no doubt that radio apps such as Pandora and LastFM are hot, but radio station aggregate apps have their place too, especially when you want to to tune into specific programming in particular parts of the world. I’m happy to announce my partnership Global International Radio Technologies, where I’m doing iPhone development for a streaming radio application called Grab Radio.
The first edition of this app will focus on radio station programming in Ireland that supports digital streaming. It will include features such as “Grabbing” where you could purchase a song you’re listening to on Grab Radio. You could also “Tag” or bookmark a song for purchase at a later point.
I’m particularly excited about working on a MapKit implementation where you could select radio stations that appear on a map, in this case that of Ireland. Eventually future editions could focus on other countries or geographical regions around the world.
Grab Radio can be downloaded here.
Sound: With a sweet soul vibe reminiscent of Sade and a fresh mix of LIVE and electronic instrumentation from production duo David Franz and Francis Phan, the new sound of spoken-word soulstress, Iyeoka (pronounced “EE-yo-kah”) is emerging as a perfect balance of thought provoking lyrics, captivating vocals and gratifying music production.
The name of the new EP “This Time Around” is far from just a slogan or a silent vow. This Time Around is an anthem addressing the hopes and dreams of each of us, from the individual to the Nation, and the innate power we all have within us to change everything. As we navigate through one of the most transitional periods of our generation, Iyeoka’s music speaks of the journey that catapults us through the challenges and triumphs, chronicling the trajectory of our lives as an extraordinary people and the changes we’d like to make This Time Around.
Leon H. Sullivan Foundation hosting Star Studded 6th Biennial Awards dinner at Kennedy Center in DC
By Phanai Media Group Dated: Aug 27, 2009
Boston Poet Iyeoka Ivie Okoawo to Pay Tribute to Mia Farrow during 2009 Leon H. Sullivan Summit Awards at John F. Kennedy Center for the Performing Arts: Quincy Jones, Henry Louis Gates and Tyler Perry Also to be Honored.
The Leon H. Sullivan Foundation will host their Sixth Awards Ceremony at the John F. Kennedy Center for the Performing Art in Washington DC on August 27, 2009. The honorees will be celebrated for their advocacy, humanitarian efforts and contributions to helping the poor and disadvantaged worldwide. The 2009 Honorees are Founder, Wheels to Africa, Winston Duncan; actress/activist, Mia Farrow, scholar and educator, Dr. Henry Louis Gates; composer/musician Herbie Hancock; mobile communications entrepreneur Dr. Mohamed Ibrahim; Grammy-award winning conductor, producer/arranger, Quincy Jones; and actor/producer/playwright, Tyler Perry.
The program will also include a special performance poetry and song tribute presented by Nigerian poet and vocalist Iyeoka Ivie Okoawo to Mia Farrow who has stood at the forefront of advocacy for the underprivileged in Africa for years working tirelessly to raise awareness and funds for children in those afflicted areas.
“The poem I will present testifies to the journey of awareness and action that occurs when leaders in our worldwide community armed with resources, heart and a voice choose to allow themselves to be inspired enough to speak out about conflicted and developing regions in Africa,” offers Iyeoka. “All of these honorees have that in common and I am honored to celebrate them at the Award Ceremony.”
Like Ms. Farrow, Iyeoka uses her position in the spotlight to work for positive social change. As official spokesperson for the Amenawon foundation, a non profit focusing on projects in smaller villages that often fly under the radar of international resource pools, Iyeoka uses her inspiring poetic abilities to raise awareness of global public health issues and speaks out on how these challenges resonate in the lives of rural villagers in Nigeria.
The honorees will be celebrated Thursday, August 27, 2009 at the John F. Kennedy Center for the Performing Arts (reception 6:30 p.m.; program 8:00 p.m.). Among many event highlights; Ambassador Andrew Young (the Chairman of the Leon H. Sullivan Foundation) will pay a tribute to His Excellency Mwai Kibaki, President of The Republic of Kenya.
“We will always portray the best of Africa and bring the majesty of the continent to her lost sons and daughters,” said Hope Masters, President and CEO of the Sullivan Foundation. “We are bringing the finest elements of Africa for everyone to enjoy; we are going to honor amazing people who contribute to making the world better.”
The evening also serves as a platform to showcase the Ninth Leon H. Sullivan Summit (The Summit) which will be held in Nairobi, Kenya July 19-23, 2010. Held every two years in Africa, the Summit is designed to enable African countries and other friends of Africa an opportunity to focus on economic empowerment, self-help, social responsibility and human rights.
The Leon H. Sullivan Foundation is a 501c3 designed to carry on the spirit and legacy of Reverend Leon H. Sullivan, the great African-American international humanitarian who dedicated his life advocating for the poor and disadvantaged in Africa and worldwide.
### Phanai Media Group is a Boston based interactive agency, independent record label and front office for the works of founder and CEO Francis Phan.http://www.phanai.com/
It feels like it’s been a long time coming but I’m happy to report that the Andrew Swaine iPhone app is now live on iTunes here! As you may recall, this app was originally slated to be released in May, but a longer than expected approval time (over 3 weeks) and a pending OS3 release made me decide to pull it. I’ve made the OS updates and the approval time was a touch over a couple weeks this time around. The Andrew Swaine app is actually the first of a series of photography apps I’m working on now.
The time has come as developers from all corners of the globe are beginning to converge in San Francisco in advance of the Apple World Wide Developer Conference for 2009 from June 8-12. For one week, the Moscone Center will be the mecca of all things Apple as it relates to developing software on Apple platforms, which of course includes iPhone Cocoa Touch Development.
I’ve had the benefit of being here for almost a week already, hanging with friends and family in the Bay Area, and following through on a few connections here. There’s been a lot of hype leading up to the conference and I’m doing my darndest to not get too caught up with things, but already I’m reading tweets of attendees planning on getting in line at 4am for the 10am keynote, and Steve Jobs isn’t even going to be attendance! Is it me or is this nuts? Or am I running the risk of not being able to get into the standing room only hall if I don’t come early enough?
There’s plenty of technical issues I hope to get answers for in the next week as well as hopefully get insights on more abstract ones. If you’re so inclined, you can catch me on twitter through out the week, as I’m sure there will be no shortage of play by play updates from WWDC land.
This is totally awesome. I sent an ad-hoc beta version of the Young Twinn iPhone app to Young Twinn’s management, and Twinn is already raving about it on Twitter, which can be viewed on the Young Twinn iPhone app! Given how long the application approval can take, can you say an-ti-ci-pa-tion?
I first met Young Twinn four years ago for some mix work I did for him and his management company Undertaker Entertainment. This kid is a real talent and has definite cross over appeal. He’s based in Houston and he’s definitely worth checking out. When Undertaker was looking to do an iPhone app, I of course seized on the opportunity. I had other music market apps in the works and I’ve had a good on going relationship with the company. Plus what made the project desirable was that Young Twinn’s management has done a great job with his marketing and branding, so there was plenty of content for me to pull from.
Some of the cool features in this app that don’t seem to be present in other music marketing apps are support for RSS feeds for YouTube and Twitter. The great thing about this is that I didn’t have to do any server side development. Soon, I hope to have Picasa and FlickR support as well. The only reason this app is not released yet is that I have to make sure it’s iPhone OS 3.0 beta compatible, which is now a requirement for submission to the iTunes store. The video above are screenshots of the app. I couldn’t do motion capture of the iPhone sumulator because the simulator doesn’t support audio playback and YouTube embeds in WebKit.
As a developer, I spend a lot of time scouring the net for resources on whatever I’m working on at the time. It’s really cool of course the community of developers and business folks that I come across, in a virtual sense. So I was excited when I learned about Mobile Monday Boston (MoMo), a mobile tech industry networking event where I can actually meet people people. (I need to get out more.)
So there was a MoMo Boston tonight at the Boston Fairmont – not too shabby! After first taking a stroll along Newbury Street on what was a gorgeous spring day, my disappointment of having to go back indoors turned into an “oh yeaah” moment when I realized the event had an open bar! During the mixer, I was amazed at the number of people I’ve come across from past jobs. I guess it’s a small world, but then again I’ve been in the Boston tech community for 15 years now. It was actually amusing to observe that people were either drinking, talking or twittering (though not necessarily in that order).
Things kicked off with a pep speech by Governor Deval Patrick. It was great to see Patrick acknowledge this community, but I’m certain he recognizes the potential tax revenue the mobile industry can bring to the Bay State. There were more than a handful of companies that gave presentations, two of which caught my attention. The first is eInk, who is responsible for the paper like display panels for Amazon’s Kindle. Started out of MIT, the technology utilizes electronic ink and paper like substances that mimic the visual characteristics of ink on paper. They even have flexible displays. eInk sees a future where half the world’s newsprint can be published through this medium. When you consider how much pulp is required for making newspapers, that seems pretty environmentally compelling. What I’m really waiting for now are flexible display t-shirts to impress my hipster friends.
I had known Viximo for doing virtual goods, like what you would find on Facebook. Who hasn’t gotten a virtual beer at one point? So when they gave a demo for VixML, it definitely raised some eye brows. VixML is their markup for developing graphical content for iPhone apps. It seems that they have a SDK that supports the rendering of 2D/3D sprites and a motion physics engine for animation. They are targetting graphic designers who are tired of having to deal with snotty programmers to make things happen. In all seriousness, I’m going to have to look into this. Well really the clincher was they had the coolest swag I’ve come across in a while: GelaSkins for the iPhone.
For years I have known fashion photographer Andrew Swaine. He had done photo shoots for recording artists I’ve worked with, namely Iyeoka Okoawo and Omega Red. When I was trying to determine a “first” iPhone application to submit to the Apple iTunes store, I wanted to rapidly develop an application that would allow me to explore the inner workings of the iPhone SDK. As I’m focused on creating marketing type iPhone apps, it seemed logical to go with Andy as he had high quality content on hand.
Although this application appears to be relatively simple, there are a lot of implementation details that were definitely non-trivial. As an iPhone developer, you have to be mindful of limited system resources on the device. As Andy had over a 150 photos to display, I had to create a memory buffering scheme to load photos, otherwise the app’s memory could be maxed out and then the application could crash, which of course is something that should be avoided.
As a C++ developer, learning Objective C was a relatively straight forward although admittedly there were some new ways of doing things I needed to get used too. It turns out that a lot the great hurdles new iPhone developers have to deal with relate to the iPhone App Store itself. There’s an obtuse sequence of steps required to provision and securely digitally sign your application in which if you mess up any part of the process, you’re up the proverbial creek! It’s amazing the number times I’ve come across the word “voo-doo” to describe this process when I was researching this on the web.
Also frustrating is the approval process for application submission to iTunes in which there are no formal guideline requirements. Unfortunately as of this post, the application above is not available on iTunes yet and I submitted the app 12 days ago! The only feedback I’ve gotten back thus far was that things were “requiring unexpected additional time for review”. Fingers crossed that it will be approved the first time through, because I would hate the prospect of having to go through another round of this. In the mean time, I do have the video reel above. It’s a screen motion capture of the application running though an iPhone simulator provided by the iPhone SDK. I promise, there were no pixels photoshopped in this process!
This video reel demonstrates Adobe Flex application projects I was invovled with when I was at Allurent. This reel features applications for Borders Books and Alltel Wireless. What you see here is a result of hard work by teams of people that include product/project managers, graphic designers, software developers and QA engineers.
Borders Books wanted a home page application that would feature timely merchandised product items such as books and DVDs arranged in categories. So exactly what was I responsible for? For Borders, I was the principal graphic user interface developer. Anything that you can see and interact with is a result of programmatic action, in this case developing in ActionScript3 within the Adobe Flex framework.
The application development begins it’s life as a visual design mocked up by a graphic designer. She also described the “vibe” of how the application should behave from the drag motion inertia of the books to the transition effects when various visual elements appear or disappear. These behaviors need to be programmed. Then there’s the motion implementation of shelves and the items within them. For this I must acknowledge the guidance of my Flex mentor Joe Berkovitz!
The Alltel Phone Selector is similar to Borders in which merchandised products are featured, but in the form of a motion carousel in which motion of the items appear to be traveling in a circular path. For this project, I was part of a larger team of developers that handled user interface development. I did have a specific role as the “skinner” where I was responsible for ensuring that the application was “pixel perfect” to the graphic designer’s specifications.
It is with this post that I would like to officially welcome you to Phanai Media Group and our brand spanking new website! It’s taken a little longer than I would have liked (thus the title to the post) but nevertheless I’ve finally put a stake in the ground! As you have probably noticed I’m using WordPress, which will be really fantastic for self organizing all the left brain / right brain activity going on here. As time goes by, so will the content on this site.
Phanai Media Group has evolved from a record label to a multimedia interactive agency. At first, this might seem a bit incongruous. The reality is that I have a passion for creating music and software. Why should I sacrifice one for another? You can find that there are parallels between these two worlds: creating something fresh, understanding what’s needed, problem solving, attention to aesthetics, making crazy deadlines and ensuring happy clients.
People often ask me exactly what a music producer does (and it’s not DJing, but I’ll leave that for another post!) Quite simply a producer takes an abstract concept (a song) and goes through a process to create a final recorded product that meets stylistic parameters, target specific demographics, delivered on time on budget and with a ribbon on top. Now certainly there are sundry details about being a producer I’ve left out (yet fodder for another post) but as you can see everything described earlier really is the essence of client services in the software world.
Well that’s all I have for now. Welcome again and hope you check in from time to time, or better yet subscribe to our RSS feed!